• • • SUBSCRIBE AND FOLLOW THAT WAS MUSIC (At the bottom of the page) • • • VAN DER GRAAF GENERATOR TRIBUTE • • • SEE YES AT THEIR PEAK, IN CONCERT AT QUEEN´S PARK, LONDON, 1975, WITH PATRICK MORAZ, PLAYING THE WHOLE RELAYER ALBUM (High Quality Video. Right column, middle of the page) • • • TWM FOLK SECTION - THE PENTANGLE • • • THE MAKING OF Sting´s new album "If On A Winter´s Night" • • • PHOTOS OF... P.F.M. • • • Leave some lines if the content pleases you, or drop a few words in the chat box • • •

lunes, 19 de abril de 2010

OSIBISA, THE JUNGLE BEAT

"WOYAYA", EL SEGUNDO DISCO DE OSIBISA, DEBERÍA CONSIGNARSE EN LA HISTORIA DE LA MÚSICA COMO EL PRIMER ÁLBUM DE ROCK PROGRESIVO / JAZZ FUSIÓN AFRICANO. CASI CUARENTA AÑOS DESPUÉS DE SU EDICIÓN, SIGUE SIENDO UNA JOYA, DE ESCUCHA OBLIGADA, PERFECTA EN TODOS LOS SENTIDOS. UNA OBRA DE ARTE.
The story of OSIBISA starts in London in 1969, when three musicians from Ghana ( Teddy Osei on the Sax, Sol Amarfio on the drums and Mac Tontoh on the trumpet); join Spartacus R from Grenada who played the bass and complemented perfectly the African percussion, Roger Bayle from Trinidad and Tobago on the keyboards and Wendel Richardson from Antigua on the lead guitar. Very soon they found another member, Asisi Amao from Nigeria who added extra percussion plus tenor Sax. and in that moment OSIBISA was born. During the next two years they were preparing their first album but in 1970 they released their first and very successful single: "Music for Gong Gong" that caught attention from all the world. In 1971 they release the fantastic "Osibisa" with an extremely beautiful art cover by a young painter named Roger Dean. From the beginning this album broke schemes, the opener "The Dawn" starts as a tribal ceremony to receive the day with complex percussion surrounded by birds and sounds you could easily listen in central Africa, but soon the vocals and instruments prove us that they were incredibly talented to blend different influences that go from, Hendrix, Santana, Bob Marley, R&B, Jazz and all the British Psychedelia they listened and assimilated during the years they were in England, this capacity to blend styles supposedly incompatible is what took them close to Progressive Rock. The second OSIBISA album "Woyaya" was released in the same year and marked a change in their music, even when they kept the tribal sound and complex percussion they started to experiment with the organ, this album reaches their peak in the title song that closes the album an incredibly beautiful nostalgic chant "We are going, Heaven knows where we are going" surrounded by an atmospheric and psychedelic organ, extremely beautiful song. In 1972 they release their most successful album "Heads", mostly because of the legendary song "Che Che Kule", this album marked the end of their Psychedelic/Proto Prog career, but still is a great album that deserves to be listened. Their career continues with high and low points until the 21st Century but turning more and more commercial with the pass of the years, but still today they are icons in Ghana, where they've been awarded by former President Jerry J Rowling. • TEXT By PROG Archives
Más información:
Página oficial de Osibisa
Página de Osibisa en All Music Guide
Comprar discos de Osibisa (Amazon)

Just for Testing Purposes
Listen "Woyaya"

All these links belongs to other blogs and music sites (MAR-ABUNTA). ThatWasMusic don´t host, store or upload any file. We just search the web for you. Remember that you should buy the record if you like what you hear. Support the artists. • • • Todos los links de ThatWasMusic han sido encontrados en Internet y pertenecen a otros blogs y webs de tema musical. ThatWasMusic no hospeda, almacena ni sube ficheros a la red. Simplemente busca por ti. Recuerda que debes comprar los discos originales si lo que escuchas te gusta. Apoya a los artistas siempre

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jueves, 8 de abril de 2010

MARK-ALMOND, TO THE HEART

LET ME TAKE YOU WERE THE TRADE WIND BLOWS, AND THE SUN ALWAYS SHINE... AND I´LL STAY WITH YOU UNTIL YOU CHANGE YOUR MIND (Trade Winds • To The Heart • Mark & Almond)

Este líneas en ThatWasMusic son un pequeño homenaje a John Mark y a Johnny Almond (Mark & Almond), dos músicos ingleses que comenzaron a tocar a finales de los años sesenta, y que a lo largo de los siguientes años dejaron para la posteridad una serie de inenarrables y bellísimos discos ignorados por el gran público. Compusieron música delicada, tremendamente romántica, exquisita, frágil como el cristal, cálida como el terciopelo de calidad, a caballo entre el jazz y el rock acústico; un prodigio de sensualidad natural, sin artificio, directa al corazón. "To the Heart" y "Other Peoples Rooms" (del 76 y del 78, respectivamente) son, junto a "Tuesday in New York" (1980), la cumbre de un estilo inimitable, personal, sofisticado; son discos de amor y soledad urbana, otoñales, agridulces, melancólicos, llenos de color y matices, repletos de encuentros y despedidas. Son tan memorables y contienen tanta buena música que con ellos se podría llenar una vida entera. Muchas veces lo pienso: Mark & Almond son los únicos que, en caso de incendio, harían que me olvidara de Tom Waits, de Van Morrison, de Michael Franks, de Steely Dan, de John Coltrane y de cientos más a los que idolatro y sigo desde hace décadas. Perder toda mi colección supondría un golpe durísimo, tremendo, pero no poder escuchar nunca más a Mark & Almond sería peor que una eternidad a oscuras. ¿Exagero? Tal vez..., compruébalo tú mismo. Empieza por ese viaje introspectivo que es "Other Peoples Rooms" y continúa con esa joya titulada "Directo al corazón"; escúchalos en absoluto recogimiento, con reverencia, y luego vuelve a contármelo. Acabo de regalarte algo para el resto de tus días. Descorcha una botella del mejor vino y disfruta de esta prodigiosa música de madrugada, con tu pareja. De hecho, es música perfecta para dos. Puro idilio. De nada.

Más información:
Página de Mark-Almond en All Music • Comprar discos de Mark & Almond • Descargar discos o canciones de Mark-Almond en iTunes

Just for Testing Purposes
Listen "To The Heart" (mp3 files) • Listen "Mark & Almond 73" (mp3 files) • Listen 1 2 3 "Other Peoples Rooms" (Flac Files) • Listen "Rising" (mp3 files) • Listen "Mark Almond I" (Flac files) parts 1 2 3 4

All these links belongs to other blogs and music sites (AVAX). ThatWasMusic don´t host, store or upload any file. We just search the web for you. Remember that you should buy the record if you like what you hear. Support the artists. • • • Todos los links de ThatWasMusic han sido encontrados en Internet y pertenecen a otros blogs y webs de tema musical. ThatWasMusic no hospeda, almacena ni sube ficheros a la red. Simplemente busca por ti. Recuerda que debes comprar los discos originales si lo que escuchas te gusta. Apoya a los artistas siempre


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domingo, 4 de abril de 2010

THE PENTANGLE, FIVE STARS

CINCO MÚSICOS FUERA DE SERIE –CREADORES DE UN PENTÁCULO MÁGICO Y PERFECTO, EN EL QUE SE ADORABA AL FOLK, AL JAZZ Y AL BLUES–, GRABARON SEIS ÁLBUMES EXTRAORDINARIOS ENTRE 1967 Y 1973; UN LEGADO SIN PRECIO, ATEMPORAL, FASCINANTE Y ÚNICO. LADIES & GENTLEMEN, SOMBREROS FUERA: THE PENTANGLE EN THATWASMUSIC.

Pentangle was formed in 1967 by John Renbourn and Bert Jansch two guitarists who had both already recorded as solo artists since 1965. Both musicians had recorded together 'Bert and John' in 1966 for 'Transatlantic'. Jacqui Mc Shee who joined the band on vocals had already worked with John Renbourn on his first solo record. The rhythm section was formed by Danny Thompson on double bass and Terry Cox on drums and percussion, both former sidemen of Alexis Korner in his band ALEXIS KORNER BLUES INCORPORATED.
PENTANGLE played a mixture of Jazz and Folk with Blues-elements, influences that the band integrated in their debut record 'The Pentangle' which was produced by Shel Talmy. The same year PENTANGLE released their second record 'Sweet child' a double LP consisting of live and studio tracks and containing among others two compositions by Charlie Mingus 'Haitian Fight Song' and 'Goodbye Pork Pie hat'. In 1969 they released their masterpiece 'Basket of Light' , a commercial success including the single 'Light Flight' which served as the theme song to the UK television series 'Take three girls'. PENTANGLE released three other records, 'Cruel sister' in 1970, 'Reflection' in 1971 and 'Solomon's seal' in 1972, before breaking up in 1973. While Bert Jansch and John Renbourn continued as solo artists, the latter with singer Jacqui Mc Shee in the JOHN RENBOURN BAND, Danny Thompson and Terry Cox returned to session work. The original line up reformed in 1982 for a European and Australian tour. John Renbourn left before the release of the 1985 record 'Open the door' and was replaced by Mike Piggott. For the next ten years the band continued to record with changing outfits, 'So Early in the Spring' (1988), 'Think of Tomorrow' (1991), 'One More Road' (1991) and a live record in 1994 'Pentangle Live 1994'. In 1995 Jacqui Mc Shee recorded together with Gerry Conway, Spencer Cozens and guest musicians 'About Thyne. This record was the starting point for JACQUI MC SHEE'S PENTANGLE a refreshed PENTANGLE that released 'Passe Avant' in 1989, the live record 'At the Little Theatre' in 2000 and 'Feoffee's Land' in 2005. The PENTANGLE records recorded between 1968 and 1972 are highly recommended. • Text by Martin 'Alucard' Horst - PROG ARCHIVES

Más información:
• Página oficial de The Pentangle • Página de The Pentangle en All Music • Comprar álbumes de The Pentangle

Just for Testing Purposes:
• Listen "The Pentangle" • Listen CD1 and Listen CD2 "Sweet Child" • Listen 1 and Listen 2 "Basket of Light" • Listen "Cruel Sister" • Listen "Reflection" • Listen "Solomon´s Seal"

All these links belongs to other blogs and music sites (Fontenelle Days) (OldRock) (Chrisgoesrock) (Cuckoo´s Nest) ThatWasMusic don´t host, store or upload any file. We just search the web for you. Remember that you should buy the record if you like what you hear. Support the artists. • • • Todos los links de ThatWasMusic han sido encontrados en Internet y pertenecen a otros blogs y webs de tema musical. ThatWasMusic no hospeda, almacena ni sube ficheros a la red. Simplemente busca por ti. Recuerda que debes comprar los discos originales si lo que escuchas te gusta. Apoya a los artistas siempre




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miércoles, 24 de marzo de 2010

TAI PHONG, A BAND TO DISCOVER

Taï Phong is a bit of an oddity, as it is a French band founded by Vietnamese brothers Kahn and Taï Ho Tong. The sound is comparable to Camel, and Novalis, but the most telling description is "France's answer to Barclay James Havest."
The first incarnation came together in 1972, and included an American and a German (keep telling yourself this is a French band). They were in the process of recording, when contract disputes broke out. Because the brothers refused the terms (thus leaving them without a deal), the other two members left. Soon after, they would be replaced by keyboardist Jean Alain Gardet, and the now famous Jean-Jacques Goldman. In 1973, they again entered the studio. However, more artistic disputes, and contract haggling, with recording executives would keep them from releasing anything for the next couple of years. By 1974, they had a contract they could live with, but still needed a drummer. They chose 17 year-old Stéphan Caussarieu. The classic lineup of Taï Phong was now complete, and would remain intact for the first two albums. This was also a potent combination of talent and ego. After the release of 1976's "Windows," some of the members branched out. Jean-Jacques dabbled in some solo work, and Gardet recorded an album with Alpha Ralpha. It is during this period that trouble started brewing. "Windows" did not sell very well, and the band spent all the money from the first album on a new sound system. Goldman did not wish to perform live, which was a serious problem considering his contribution to the band's sound. This disheartened Jean Alain, causing him to exit. The band went on tour in 1977 with bassist Michael Jones also taking over lead vocal, but it just wasn't working. They decided to cancel any remaining shows, and just concentrate on studio work. This is the moment when brother Taï left. After much turmoil, they released 1979's "Last Flight," but the magic was gone. By 1980 interest in the band was waning, and they were in yet another contract dispute. Rather than push ahead with a fourth album, the band broke up. Over the years the interest in Taï Phong's music went up and down. This is largely due to the song "Sister Jane" resurfacing in one form or another. In 1993, reissues of the albums breathed new life into the story. Some of the guys got together, and the obvious talk of reunion came around. The main conspirators were Kahn and Stephan. In 1995 they began work on new material, and shopped it around. Goldman was not interested in rejoining the band, so they found Herve Acosta to fill the lead vocal spot. Angelo Zurzulo had been a replacement keyboardist in the old days, and he was also tapped for the new project. It took a while, but the result was 2000's Sun. • Text by Prog Archives

More information
Página de Tai Phong en Wikipedia • Página de Tai Phong en All Music • Comprar discos de Tai Phong

Just for Testing Purposes
Listen "Thai Phong" (1975) • Listen "Windows" (1977)

All these links belongs to other blogs and music sites. ThatWasMusic don´t host, store or upload any file. We just search the web for you. Remember that you should buy the record if you like what you hear. Support the artists. • • • Todos los links de ThatWasMusic han sido encontrados en Internet y pertenecen a otros blogs y webs de tema musical. ThatWasMusic no hospeda, almacena ni sube ficheros a la red. Simplemente busca por ti. Recuerda que debes comprar los discos originales si lo que escuchas te gusta. Apoya a los artistas siempre



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lunes, 22 de marzo de 2010

GREENSLADE

GREENSLADE ES UNA DE LAS BANDAS CLÁSICAS MÁS PERSONALES DEL ROCK PROGRESIVO. LOS CUATRO ÁLBUMES QUE GRABARON ENTRE 1973 Y 1975 SON PIEZAS DE COLECCIÓN REALMENTE IMPRESCINDIBLES.

After the demise of COLOSSEUM in '71, keyboardplayer Dave Greenslade founded his own band GREENSLADE, featuring Tony Reeves (bass), Dave Lawson (keyboards, clarinet, flute) and Andrew McCulloch (drums), he had left KING CRIMSON. In '73, GREENSLADE released their eponymous debut album, followed by "Bedside Manner Are Extra" ('73), "Spyless Guest" ('74) and finally "Time and Tide" ('75). Then the band call it a day and Dave Greenslade went solo. The album "Shades of Green" ('97) is a comprehensive compilation-CD and "Live" ('99) a live-CD including recordings from '73 and '75. A few years ago Dave Greenslade and Tony Reeves teamed up to re-unite GREENSLADE with John Young (guitar and vocals) and Chris Cozens (drums). They released the albums "Large Afternoon" and "Greenslade live 2001" (same line-up except John Troter on drums). ••• The first two albums are an excellent blend of classic, jazz, rock, blues and symphonic rock with elaborate compositions and inventive and exciting dual-keyboardplay by Greenslade and Lawson. The omnipresence of the Mellotron is very pleasant with majestic waves of the violin-Mellotron (like early KING CRIMSON) and glorious eruptions of the sumptuous choir-Mellotron. In comparison with the 'progrock-dinosaurs', GREENSLADE played more varied styles, the songs were shorter and it lacked the usual 'progrock self-indulgence' (like ELP and YES), no endless soloing. I'm very pleased with the swinging and powerful sound of the clavinet, an underestimated keyboard within the progrock world (only Rick WAKEMAN was a frequent user). A good start to this unique band is the compilation "Shades of Green" and an even better introduction is the live-album "Live" (with tracks from '73 and '75), containing some spectacular play on the Minimoog (with pitchbend). It's the most keyboard-loaden album with hints from WAKEMAN, MANFRED MANN'S EARTH BAND and SUPERTRAMP. GREENSLADE is a band to discover and they deserve more appreciation by the progrock aficionados. • Text by Prog Archives

More information
Página de Greenslade en Wikipedia • Página de Greenslade en All Music • Página Oficial de Greenslade • Comprar álbumes de Greenslade

Just for Testing Purposes
• Listen "Greenslade" • Listen "Bedside Manners Are Extra" • Listen "Spyglass Guest" • Listen "Time and Tide"

All these links belongs to other blogs and music sites (Castelovegetal) (Orexisofdeath) ThatWasMusic don´t host, store or upload any file. We just search the web for you. Remember that you should buy the record if you like what you hear. Support the artists. • • • Todos los links de ThatWasMusic han sido encontrados en Internet y pertenecen a otros blogs y webs de tema musical. ThatWasMusic no hospeda, almacena ni sube ficheros a la red. Simplemente busca por ti. Recuerda que debes comprar los discos originales si lo que escuchas te gusta. Apoya a los artistas siempre

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domingo, 14 de marzo de 2010

STACKRIDGE, THE BEST OF ENGLAND

TRAS CUARENTA AÑOS GRABANDO DISCOS EXCEPCIONALES, DESDE LA PRIMERA HASTA LA ÚLTIMA NOTA, STACKRIDGE SIGUEN SIENDO UNOS PERFECTOS DESCONOCIDOS PARA EL GRAN PÚBLICO, UN GRUPO DE CULTO DEL QUE ES IMPOSIBLE NO QUEDAR PRENDADO.

Todos los artistas o grupos de este mundo, y poco importa su estilo musical, su atmósfera o su procedencia, tienen imitadores, continuadores de su sonido, o se parecen a otros, o toman prestados logros e ideas de otros, etcétera. Precisamente por eso, cuando alguien quiere explicar rápidamente a un amigo cómo suena, por ejemplo, Starcastle, es normal que termine resolviéndolo por la vía fácil: "son como unos Yes a la americana, bastante buenos". Y punto. Y así con todo. Pero no con Stackridge. Con Stackridge rompieron el molde. De ahí que sea tan difícil explicar qué música componen y tocan y cómo suenan. Voy a intentarlo, y no tengo otro método que tirar de comparaciones. Aunque aviso por adelantado que ellos no tienen nada que ver con ningún artista que yo pueda citar, pues son únicos y formidablemente buenos. Tan buenos que cuesta creer que algo tan bueno no haya triunfado a gran escala. Vamos allá. Stackridge son británicos, y eso marca sus voces y su carácter. Voces británicas, perfectas, amantes de la armonía y de la melodía. Digamos que sus voces son tan buenas como las de los Beatles cuando se ponían sublimes. Stackridge tiene una faceta pop muy marcada. En eso son también como los de Liverpool, pero juro que sus composiciones no tienen nada (NADA) que envidiar a las mejores de Lennon/McCartney, a los que reconocen adorar abiertamente. Punto. Stackridge son también un grupo de rock progresivo (sí, has leído bien), que en ocasiones te recordará a Gentle Giant y en otras al sonido Canterbury de Caravan o Hatfield & the North (piensa en la voz de Richard Sinclair). Stackridge también son un grupo de folk rock; marcadamente acústicos, tradicionales, psicodélicos o medievales. Todo depende del tema y del día. Stackridge son también jazzísticos. También están en deuda con la música clásica (Frederick Delius, Stravinsky), y eso se nota en sus arreglos, en la delicadeza de sus adornos. Stackridge son también amantes de la música de music hall o cabaret, de la broma sonora, de la salida ingeniosa, de la melodía añeja, del ritmo antiguo. Añadamos, por tanto, un toque impredecible a lo Monty Python. Para terminar, baste decir que son instrumentistas extraordinarios. Cuando construyen una pieza instrumental logran dejar a todo el mundo boquiabierto. Ah, sí: las letras son deliciosas, divertidas, llenas de ingenio. Les gusta contar historias. Y lo hacen de maravilla. Termino. Ya termino. Queda la atmósfera: son vitales, optimistas, frescos, románticos, épicos. Buen humor garantizado de principio a fin. Ni una sola de sus canciones, ni una sola, es inferior al resto. Así que debes escucharlos. Y luego, cuando lo hayas hecho, vuelve y contesta a mi maldita pregunta: ¿cómo es posible que el mundo no sepa de la existencia de algo así? Los caminos de Dios son inexcrutables. Seguramente los reservó en vistas a amenizar las largas y perezosas tardes en el paraíso. No te los pierdas, sería el mayor error de tu vida. Empieza, si no sabes por dónde, con "Friendliness". Y compra sus discos. El grupo sigue en activo y se merece todo el apoyo y el afecto del público.

Más información:
Página oficial de Stackridge • Página de Stackridge en All Music • Página de Stackridge en Prog Archives • Comprar discos de Stackridge

For Testing Purposes only
Listen "Stackridge" • Listen "The Man In The Bowler Hat" • Listen "Friendliness" • Listen "Mr. Mick"

All these links belongs to other blogs and music sites (eloidodeantes) (proginblog) ThatWasMusic don´t host, store or upload any file. We just search the web for you. Remember that you should buy the record if you like what you hear. Support the artists. • • • Todos los links de ThatWasMusic han sido encontrados en Internet y pertenecen a otros blogs y webs de tema musical. ThatWasMusic no hospeda, almacena ni sube ficheros a la red. Simplemente busca por ti. Recuerda que debes comprar los discos originales si lo que escuchas te gusta. Apoya a los artistas siempre

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lunes, 8 de marzo de 2010

MAGNA CARTA, MUSIC FOR ALL SEASONS

BRIEFLY AND IN CAPITAL LETTERS: MAGNA CARTA WAS THE MOST BEAUTIFUL ACOUSTIC BAND OF THE SEVENTIES. PERIOD.

Los álbumes grabados por Magna Carta durante la década de los setenta merecen estar en la vitrina de los grandes tesoros. Ningún otro grupo acústico puede hacerles la más mínima sombra, pues ellos son la máxima referencia del género. Delicados y exquisitos, sus discos son compañeros de por vida. En ese extraño viaje, se puede prescindir de muchas cosas, pero jamás de Magna Carta.

MAGNA CARTA is an English 'folk' band, formed in 1969 in London by Chris Simpson, Lyell Tranter, and Glen Stuart. They were part of the early progressive wave, but without really fully stepping into the progressive realm. Magna Carta's music is largely inspired and influenced by the folk of Simon & Garfunkel, focussing on soft and gentle acoustic music, often with a traditional feel, augmented with orchestral arangements and good vocal harmonies. Influences and similar artist include the already mentioned Simon & garfunkel, Fairport Convention, Kevin Ayers, Moody Blues, Amazing Blondel, Caravan, Al Stewart, the softer folk/singer songwriter genre and Canterbury genre.
••• MAGNA CARTA has gone through numerous personel changes over the years, with the only constant factor being Chris Simpson. Most notable members include Glen Stuart, an amazing vocalist with a great range, Lyell Tranter, who soon departed for Australia to be replaced by Davey johnstone on guitars (left Magna Carta to join Elton John as long time band member), and Linda Taylor who would later merry Chris Simpson. ••• Between 1969 and 1975 MAGNA CARTA made some wonderfull albums, with the beautifull "Seasons' and 'Lord Of The Ages' as absolute highlights. Also the live album "In Concert" recorded in 1971 in Amsterdam is not to be missed. With the leaving of Glen Stuart the magical beauty was lost, and for a while the band seemed to fall apart. Chris Simpson however managed to keep the band alive and MAGNA CARTA continoud making nice highly enjoyable music. ••• In 1983 Chris met Linda Taylor and they continued mostly as a duo keeping the MAGNA CARTA name alive. Studio albums became rare, but rereleases of studio albums, and new live recordings kept them performing throughout Europe until today. ••• Text by Prog Archives.

More information:
• Página oficial de Magna Carta • Página de Magna Carta en All Music • Comprar álbumes de Magna Carta
Just for Testing Purposes:
• Listen part one and Listen part two "Magna Carta" • Listen "Songs from Wasties Orchard" • Listen "Seasons" • Listen "Lord of the Ages" • Listen "Magna Carta Live in Concert" • Listen "Martin´s Cafe"

All these links belongs to other blogs and music sites (Oldrock-Dillingerr) (Masterpiece) (Avax) ThatWasMusic don´t host, store or upload any file. We just search the web for you. Remember that you should buy the record if you like what you hear. Support the artists. • • • Todos los links de ThatWasMusic han sido encontrados en Internet y pertenecen a otros blogs y webs de tema musical. ThatWasMusic no hospeda, almacena ni sube ficheros a la red. Simplemente busca por ti. Recuerda que debes comprar los discos originales si lo que escuchas te gusta. Apoya a los artistas siempre



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miércoles, 3 de marzo de 2010

KEITH MOON, BEST ROCK DRUMMER

THE BEST ROCK DRUMMER OF ALL TIMES, ELECTED BY THE VISITORS OF THATWASMUSIC, IS (TRUMPETS & FANFARES) MR. KEITH MOON

Hasta la fecha, en ninguna de las votaciones propuestas por ThatWasMusic en su sección "War of the classics", se había producido un fenómeno semejante. Normalmente, los votos quedan muy repartidos. Así pasó en las encuestas referidas a Mejor Guitarra del Rock y Mejor Bajo del Rock. Esta vez no ha sido así. De los 20 baterías propuestos, sólo tres han acaparado la mayor parte de los votos, como si los restantes no existieran. Así que ya tenemos medalla de oro, de plata y de bronce. Keith Moon ha arrasado, seguido a escasa distancia por Ginger Baker y John Bonham. El resto ha quedado muy muy atrás. Estos son los resultados...

ThatWasMusic • Mejor batería rock
Total de votantes: 141 • Total de votos otorgados (5 por persona): 705

1. Keith Moon (The Who). 70 votos (49%) • 2. Ginger Baker (Cream). 62 votos (43%) • 3. John Bonham (Led Zeppelin). 60 votos (42%) • 4. Bill Bruford (Yes, King Crimson). 38 votos (26%) • 5. Phil Collins (Genesis). 37 votos (26%)

Just for Testing Purposes:
• Listen "Two Sides of Keith Moon" solo album by Keith Moon • Listen "Around the Next Dream" by Ginger Baker, Jack Bruce and Gary Moore • Listen "One of a Kind" by Bill Bruford • Listen "Ramshackled" by Alan White





















All these links belongs to other blogs and music sites (WHOSPEARL) (NUEVAMUSICACLASICA) (PROGINBLOG) (LAGRIMAPSICODELICA) ThatWasMusic don´t host, store or upload any file. We just search the web for you. Remember that you should buy the record if you like what you hear. Support the artists. • Todos los links de ThatWasMusic han sido encontrados en Internet y pertenecen a otros blogs y webs de tema musical. ThatWasMusic no hospeda, almacena ni sube ficheros a la red. Simplemente busca por ti. Recuerda que debes comprar los discos originales si lo que escuchas te gusta. Apoya a los artistas siempre

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martes, 23 de febrero de 2010

JOYAS DE COLECCIÓN (III) PETE DELLO & FRIENDS • INTO YOUR EARS

"INTO YOUR EARS", UN ÁLBUM GRABADO EN 1971 POR PETE DELLO –FUNDADOR DEL GRUPO BRITÁNICO HONEYBUS– ES UNA JOYA SONORA; UNA COLECCIÓN DE CANCIONES CONSTRUIDAS SOBRE EL FOLK, EL POP DE ARREGLO BARROCO Y LA SIMPLICIDAD ACÚSTICA QUE ROZA LA PERFECCIÓN ABSOLUTA.

Referencias: pop psicodélico de factura exquisita y arreglos clásicos; armonías vocales perfectas; sonido limpio y cristalino. En la mejor tradición Beatles, Hollies, Kinks. Un diez sobre diez.

Pete Dello was the original leader of the Honeybus, a short-lived but wonderful English baroque-pop group who only managed to release one album in 1970 (finally reissued in 2008). For all the gems available on compilations like "Honeybus At Their Best" and "She Flies Like A Bird: The Anthology", fans of their brand of summery, rootsy pop couldn’t be truly satisfied without an ear on Dello’s fine solo efforts.

Comparisons to the Beatles are somewhat unavoidable, from the next-level songwriting to the double-tracked voice, chamber orchestra production, but assertions of cheap imitation are unacceptable. Dello’s album is a pretty mix, most songs led with a clean acoustic guitar or piano, flavoring the sound with modest string and brass sections. This is where the record gets its baroque tag, but at times the music, like Honeybus, approaches a country-folk-rock sound. Tracks like I’m A Gambler illustrate that perfect mix of rural rock and sunshine pop, blessed with some especially tasteful percussion. The trick to the record’s charm may be the Nilsson inspired vocal treatments, either Dello’s unassuming lead or the lilting vocal turns and harmony parts.

I wouldn’t call it a perfect record, but it gets pretty close and grows to be very solid. Pete scored with his first Honeybus single, I Can’t Let Maggie Go, and gets a chance at a full showcase with Into Your Ears. Only a couple tracks push the British camp too much for my ears, so take note if you’re fond of skipping sillier tracks. If you’re looking for gems, you’ll be right on target.



Más información:

• Página de Pete Dello en All Music • Página de Honeybus y Pete Dello • Comprar "Into Your Ears"



Just for Testing Purposes:


Listen "Into Your Ears"



All these links belongs to other blogs and music sites (LAJSO SOUND) ThatWasMusic don´t host, store or upload any file. We just search the web for you. Remember that you should buy the record if you like what you hear. Support the artists. • Todos los links de ThatWasMusic han sido encontrados en Internet y pertenecen a otros blogs y webs de tema musical. ThatWasMusic no hospeda, almacena ni sube ficheros a la red. Simplemente busca por ti. Recuerda que debes comprar los discos originales si lo que escuchas te gusta. Apoya a los artistas siempre

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JOYAS DE COLECCIÓN (II) FAIRFIELD PARLOUR • FROM HOME TO HOME

A FIN DE EVITAR SER CONFUNDIDOS CON EL GRUPO PSICODÉLICO ESTADOUNIDENSE DE IGUAL NOMBRE, LOS BRITÁNICOS KALEIDOSCOPE SE REBAUTIZARON (TRAS GRABAR DOS MARAVILLAS LLAMADAS "TANGERINE DREAM" Y "FAINTLY BLOWING") COMO FAIRFIELD PARLOUR. EN 1970 EDITARON "FROM HOME TO HOME", Y UN AÑO MÁS TARDE REGISTRARON UN DOBLE ÁLBUM CONCEPTUAL, DENOMINADO "WHITE FACED LADY", QUE TENDRÍA QUE ESPERAR MÁS DE 20 AÑOS ANTES DE VER LA LUZ DEL DÍA. DOS JOYAS ATEMPORALES, ORGULLO DE CUALQUIER COLECCIÓN.

Referencias: Grupo a caballo del folk y la psicodelia, de estructura y planteamientos claramente progresivos, que presta absoluta atención a la melodía y a la instrumentación. Extraordinarios arreglos vocales, preeminencia acústica, tremendamente originales, poéticos, épicos y difíciles de clasificar. Mucho más que un simple cruce entre Beatles, Pink Floyd y Moody Blues. Im-pres-cin-di-bles.

Kaleidoscope / Fairfield Parlour biography
The English band KALEIDOSCOPE (not to be confused with American band KALEIDOSCOPE which existed at the same time and played basically psychedelic rock too) is an almost forgotten band from the late sixties and early seventies. The band started its recording activities in 1967 as KALEIDOSCOPE, but the band was formed back in 1963 with the name THE SIDEKICKS and changed to THE KEY later. In the beginning, the line-up was Eddie Pumer on guitar, Steve Clark on bass and Danny Bridgman on drums, but they later needed a new vocalist and Peter Daltrey joined (he played keyboards too). They played local venues and released singles, but when they signed a contract with Phillips, they changed the name of the band and started playing their own psychedelic rock compositions instead of the covers they used to play before. The combination of Pumer's musical arrangements and Daltrey's lyrics was the main power of the group.In 1967 was released their first album, 'Tangerine Dream'. The album comprises fine psychedelic songs with experimentations and arrangements like many of the top psychedelic and early progressive bands from that age (THE BEATLES, PINK FLOYD, THE MOODY BLUES). They got lots of airplay and recorded many BBC sessions, but didn´t sell well. They eventually released more singles, like 'Jenny Artichoke', which was a success, but sold poorly, and another album, 'Faintly Blowing'. It was released in 1969, showing a progression of it's predecessor in terms of sound. Although still psychedelic, the compositions were getting more progressive. The album unfortunately failed to chart.They released a final single, 'Balloon', before changing the name to FAIRFIELD PARLOUR and becoming totally progressive oriented. The band didn't achieve success (Fantastic first album: "FROM HOME TO HOME") and they were unlucky at the time, failing to chart and having problems (including some sabotage) in all great gigs they had, including the famous Isle of Wight, which they were the responsibles for the 'Theme Song' of the festival (released under the name of I LUV WIGHT). "WHITE FACED LADY" was their last album, recorded in 1971 partly with the help of Mike Pinder, from THE MOODY BLUES. The album was a conceptual double-album with many orchestral arrangements. The band had a deal with Vertigo at that time, but the responsible quit Vertigo and moved to CBS. So they were to release it on CBS, but CBS refused to release their album and it stayed shelved for twenty years, being released in 1991 by a label they created just to release the album, Kaleidoscope Records, under the name of KALEIDOSCOPE, although recorded under the FAIRFIELD PARLOUR encarnation of the band. The band split in 1972 due to the lack of results and luck (they were offered less than 20 dollars to play the last gigs). So this was the end of this great psychedelic and progressive rock band which had talent to be one of the major progressive rock acts of their age but died prematurely due to bad luck in the crucial moments. It is highly recommended because they were one of the first progressive rock bands that evoluted with the genre and made a fantastic work, mainly their excellent conceptual album 'White Faced Lady' • TEXT by PROGARCHIVES
Más información:
• Página oficial de Fairfield Parlour • Fairfield Parlour / Kaleidoscope en All Music • Comprar discos de Fairfield Parlour en Amazon

Just for Testing Purposes
• Listen "From Home to Home" • Listen Part One and Part Two "White Faced Lady" (CD rip - mp3. bitrate: 256)

All these links belongs to other blogs
and music sites (CONVENTIONAL SOUND and OREXIS OF DEATH) ThatWasMusic don´t host, store or upload any file. We just search the web for you. Remember that you should buy the record if you like what you hear. Support the artists. • Todos los links de ThatWasMusic han sido encontrados en Internet y pertenecen a otros blogs y webs de tema musical. ThatWasMusic no hospeda, almacena ni sube ficheros a la red. Simplemente busca por ti. Recuerda que debes comprar los discos originales si lo que escuchas te gusta. Apoya a los artistas siempre



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JOYAS DE COLECCIÓN (I) LAZARUS • A FOOL´S PARADISE

CON "JOYAS DE COLECCIÓN", THATWASMUSIC INAUGURA UNA LARGA SERIE DE ENTRADAS DEDICADAS A VERDADERAS MARAVILLAS DE LOS SETENTA, PRÁCTICAMENTE DESCONOCIDAS POR EL GRAN PÚBLICO, SELECCIONADAS UNA A UNA SIGUIENDO UN CRITERIO DE ABSOLUTA EXCELENCIA.

Referencias: Grupo de bellísimas armonías vocales y asombroso talento compositivo. Para fans de Magna Carta, Tudor Lodge, Crosby, Stills, Nash & Young, Prelude, Wooden Horse, Peter, Paul & Mary.

Lazarus were a soft rock trio, originally known as Shiloh, who were one of the early signings to the Bearsville label -- and like a lot of that company's early signings, their music came and went without much notice from the public, despite their having the attention of Peter Yarrow as the producer of their two LPs. Legend has it (as also referenced in the notes to their debut LP) that they approached Yarrow backstage following a 1969 Peter, Paul and Mary concert. In short order, they were renamed Lazarus and cutting an album under the auspices of Yarrow and Peter, Paul and Mary producer Phil Ramone, and were signed to Bearsville, a record company newly organized by PPM manager Albert Grossman. • They were, in fact, Christian rockers, which was something relatively new in those days -- the back-to-Jesus movement, as an offshoot of the counterculture, had just gotten rolling a couple of years earlier. The members were Bill (Billie) Hughes on guitar, violin, and backing vocals; Carl Keesee on bass and vocals; and Gary Dye on keyboards and vocals. Their sound was basically acoustic rock with minimal amplification and lots of harmony vocals -- think of Crosby, Stills & Nash or a low-wattage answer to the Doobie Brothers from the time of their second or third album. And in a way, it's ironic that Peter Yarrow, of the PPM lineup, ended up producing them, as Noel "Paul" Stookey was the trio's most overtly religious practitioner (and a devout born-again Christian as well), and ended up performing Bill Hughes' "Blessed," a song off of Lazarus' self-titled debut album, at his Carnegie Hall concert, released by Warner Bros. as One Night Stand. • In any case, neither of Lazarus' two albums sold in any serious numbers, but the group was still working in the mid-'70s. One report has them doing a Life Savers jingle during this period. Hughes, who passed away in Los Angeles in 1998, went solo in 1978, cutting his first album for Epic that year. He also worked with Keesee in Canada, cutting records into the early '90s. Keesee played a lot of sessions, including recordings with Jane Siberry, and -- with Hughes -- recorded with David Bradstreet. The second Lazarus album, Fool's Paradise, was released by Pony Canyon in Japan on CD, but otherwise the group's main exposure in recent decades was the 2000 reissue of "Ladyfriends 2" from their second album on Bearsville Anthology. • Text by BRUCE EDER - ALL MUSIC

Más información:
• Página de Lazarus en All Music
• Página oficial de Billie Hughes
• Comprar discos de Lazarus en Amazon
• Comprar discos de Lazarus en iTunes-Apple
• Página de "A Fool´s Paradise" en el sello Bearsville

Just for Testing Purposes:
• Listen "A Fool´s Paradise" here or here (mp3. bitrate: 192)

All these links belongs to other blogs
and music sites (SAM1957). ThatWasMusic don´t host, store or upload any file. We just search the web for you. Remember that you should buy the record if you like what you hear. Support the artists. • Todos los links de ThatWasMusic han sido encontrados en Internet y pertenecen a otros blogs y webs de tema musical. ThatWasMusic no hospeda, almacena ni sube ficheros a la red. Simplemente busca por ti. Recuerda que debes comprar los discos originales si lo que escuchas te gusta. Apoya a los artistas siempre.

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